![cubase vs.pro tools cubase vs.pro tools](https://i.ytimg.com/vi/WU1WyL--3EY/maxresdefault.jpg)
Cubase vs.pro tools pro#
It has two components, the Pro end is held by the person who has Cubase Pro (or Nuendo) and it is the main monitoring and control centre for the artist. VST Connect Pro is essentially a paid add-on into the Steinberg ecosystem that has been around for about 8-10 years now, but has gone majorly under the radar. However, what has since transpired from this is I now have the ability to work with anybody in the world, so long as they have a good solid internet connection.īefore I move on, I should state now that I am not in any way affiliated or an artist endorsee of Steinberg products. This led to me making some phone calls and ultimately ending up with a great deal.
Cubase vs.pro tools plus#
Now as you may or may not know, Cubase Pro (10.5 at the time) is not a cheap investment at £450, plus the VST Connect Pro is £120 but they had a 50% sale during the initial lockdown (fortunate that isn’t it).Īfter some discussions, my new client was willing to invest/contribute towards this because to them, it meant that they could keep working and be creative. Their next reply was “When can we start?” Many folks in America said either that it couldn’t be done or didn’t want to know because it involved Cubase. Their response was one of happiness because I was the only person who said it could be done. I was aware of this but I did my homework on all of these methods and initially was going to try the AudioMovers solution but after experimenting, the potential for issues and reliability meant that this was far too complex and would ultimately stress the client out.Īfter a weekend of investigating, I responded to the Artist in America and suggested various methods would work, but the best one on paper would be Steinberg Cubase Pro with VST Connect Pro. Weirdly, only a week or two before this, I had been involved in a discussion about remote recording (particularly Steinberg VST Connect) with a good friend of mine and regular contributor to the Production Expert team, Mike Exeter. The question was about whether I could record remotely and what did I know about VST Connect? Didn’t that involve using the poor relation of the family …. My story starts back in April of 2020 when I received a Facebook message out of the blue from somebody in America who was recommended to me by a good friend of mine. However, what about working with musicians on smaller budgets? How I Came To VST Connect Pro Again, in principle this is a good way of working apart from having to deal with lag and not everything is always visible in terms of menus etc on the screen.Īnother, Source-Connect from Source Elements is a high end level product that allows you to record audio, even ADR to video and has the capabilities of recording and mixing audio upto 7.1, which is fantastic in a post-production world. Other potential alternatives were TeamViewer, whereby the engineer could remote into the client’s computer and control the session by having control of their computer. You can see how complex this is and I haven’t even gone to detail about the other aspects of routing! Read our tip on managing latency using Zoom for collaboration here. Not only that, you would then need to set up Zoom or FaceTime to enable some sort of face to face connection in order to communicate.
![cubase vs.pro tools cubase vs.pro tools](https://img.fixthephoto.com/blog/images/gallery/news_preview_mob_image__preview_8699.png)
In order to ensure that the tracks could be lined up later there needed to be audio click and reference tracks sent down the stream, not unlike those used in ADR sessions, which allowed for the producer to slip and sync the received audio into their master session.
![cubase vs.pro tools cubase vs.pro tools](https://fixthephoto.com/images/content/pro-tools-interface-pro-tools-vs-cubase.png)
Then, they would set-up another instance of Audiomovers at the client's end that would route the recorded audio track plus a vocal back to the producer who would record the ‘listento’ tracks into the DAW. For a detailed explanation of this technique read our article from Tim Bran on this technique. There were some fantastically creative methods that appeared such as using AudioMovers, where the producer would set up a ‘send’ routing path of the song to the client to listen to in their DAW. When Covid and lockdown hit the recording industry, it created a mass scramble for producers, engineers and studios to figure out ways of working remotely, to keep projects moving and more importantly, to keep their clients happy and working. although it is directly linked to events resulting from the Pandemic. But this is only a bit of a dirty word and no it’s not Covid …. Now I know exactly where people’s minds start to wander when you are told not to mention the C word. In this article Robbie Dwyer explains how rather than struggling with a convoluted remote workflow using Pro Tools, he’s found a better way to do remote projects in Cubase.